Sáng tác của Hồ Anh Thái từ góc nhìn liên văn bản

Abstract

From presenting relevant contents about the intertextual theory, the article develops and analyzes the manifestation of intertextuality in works by Ho Anh Thai. Researching his works from the perspective of the intertextual theory is important in exploring and decoding knowledge about religion, philosophy, history, etc. At the same time, there is a way of looking at objective recognition of the writer's artistic experience when penetrating and explaining India's cultural sediments. The article focuses on explaining intertextual elements in the following aspects: Harmonizing layers of Indian culture; Interaction between literary genres and Citation – a special type of intertextuality. This approach is not new, but it is truly necessary. It has the meaning of consolidating recorded values, adapting and supplementing hidden values. This analysis once again confirms the promise of intertextual theory in the works by Ho Anh Thai in particular and in Vietnamese literature in general.